Thomas Jolly, the choreographer behind the Paris Games’ opening ceremony, has rejected claims that his production parodied the Last Supper, despite criticism from religious groups. The ceremony, designed to celebrate diversity and inclusion, drew backlash for its depiction of scenes resembling the iconic Christian event where Jesus shared a last meal with his apostles. Jolly clarified that his intention was to host a grand celebration inspired by pagan festivities, not to ridicule religious beliefs.
The controversial segment featured dancers, drag performers, and a DJ in poses reminiscent of the Last Supper, prompting accusations of disrespect towards Christianity. Paris 2024 organizers expressed regret over any offense caused, emphasizing that their aim was to promote tolerance and unity, not religious satire.
“We deeply apologize if anyone felt offended,” stated Anne Descamps, a spokeswoman for Paris 2024. “Our intention was never to disrespect any religious group.”
In addition to the Last Supper controversy, the ceremony included provocative elements such as actor Philippe Katerine appearing as Dionysus, adorned in blue paint and minimal clothing, symbolizing the Greek god of wine and pleasure.
Jolly defended his artistic choices, saying that his goal was to create a ceremony that embraces diversity while upholding France’s core values of liberty, equality, and fraternity. He also incorporated historical symbolism, including a depiction of Marie-Antoinette in the Conciergerie, a building where she was imprisoned after the 1789 French Revolution, complete with a guillotine highlighting aspects of French history.
Despite the criticism, a poll commissioned by Paris 2024 from Harris Group revealed that the majority of French citizens viewed the ceremony positively.
